{"id":72380,"date":"2026-02-10T21:25:37","date_gmt":"2026-02-11T02:25:37","guid":{"rendered":"https:\/\/apnaorg.com\/wp\/articles\/lata-mangeshkar-the-living-legend-part-iv\/"},"modified":"2026-02-28T17:36:37","modified_gmt":"2026-02-28T22:36:37","slug":"lata-mangeshkar-the-living-legend-part-iv","status":"publish","type":"articles","link":"https:\/\/apnaorg.com\/wp\/articles\/lata-mangeshkar-the-living-legend-part-iv\/","title":{"rendered":"Lata Mangeshkar \u2014 the living legend Part IV"},"content":{"rendered":"<p align=\"left\"><strong>By Dr Amjad Parvez<\/strong> <\/p>\n<p align=\"left\">Daily Times&nbsp;August 11, 2014<\/p>\n<p align=\"left\">&nbsp;&nbsp;&nbsp;<br \/>\n          <img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"256\" src=\"https:\/\/apnaorg.com\/prose-content\/english-articles\/page-126\/article-3\/pictures\/index_clip_image001.jpg\" alt=\"Description: http:\/\/www.dailytimes.com.pk\/print_images\/456\/2014-08-11\/lata-mangeshkar-the-living-legend-part-iv-1407706069-4354.jpg\"><\/p>\n<p><\/p>\n<p>This combination of Lata and Madan Mohan&#8217;s command on  composing and rendering ghazals and other melodious songs has been unmatched.  Madan Mohan&#8217;s inculcation with big masters of music visiting father like Ustad  Faiyyaz Khan, Ustad Ali Akbar Khan, Malika-e-Mausiqui Roshan Ara Begum, Begum  Akhtar, Siddheshwari Devi and Talat Mehmood, all renowned names in the field of  classical music and Ghazal singing in his house must have left a mark in his psyche.  Otherwise how could he create compositions such as &quot;Maine rang li aaj  chunariya&quot; from &#8216;Dulhan Ek Raat Ki&#8217; and &quot;Baiyan na dharo&quot;. In  those days, apart from low cast films, Madan Mohan did get a Nutan film &#8216;Dulhan  Ek Raat Ki&#8217; and he composed the lovely number &quot;Sapnon mein agar mere tum  aao&quot;. Again I would not be doing a justice to Madan Mohan-Lata combination  &nbsp;if I do not mention his compositions such as &#8216;Sapne Mein Sajan Sey&#8217; and  Do Ghari Woh Jo Paas&#8217; (with Muhammad Rafi) pictured on beautiful Madhubala from  the movie &#8216;Gateway of India&#8217; and &#8216;Rukey Rukey Sey Qadam&#8217; from the movie  &#8216;Mausam&#8217; pictured on Sharmila Tegore. My all time favourite however is Lata&#8217;s  &#8216;Aaj Socha To Ansoo Bhar Aei Mudatein Ho Gaein Muskurae\/ Mudatein Ho Gaeein  Muskuraye&#8217; from Chetan Anand&#8217;s 1972 movie &#8216;Hanste Zakhm&#8217;. The Sitar  introduction and interludes takes one&#8217;s breath away. It was filmed on Priya  Rajvansh in a club sequence with KN Singh flirting with her and she remembering  her love for Nivin Nishchol in flashbacks; an excellent portrayal. Another of  Lata&#8217;s crooned song from this movie is &#8216;Betaab Dil Ki Tamana Yehi Hai&quot;.  These songs were penned by none other than Kaifi Aazmi.<\/p>\n<p>\n        I must not forget the songs from Sadhna-Manoj&#8217;s movie &#8216;Woh Kaun Thi&#8217; like &#8216;Lag  Ja Galey Keh Phir Yei Haseen Raat Ho Na Ho&#8217; and &#8216;Naina Barsey Rim Jhim&#8217; and of  course &#8216;Jo Hum Ney Dastaan Apni Sunai&#8217; and the songs from Sunil Dutt-Sadhna  starrer movie &#8216;Mera Saya&#8217; like &#8216;Tu Jahan Jahan Bhi Ho Ga Mera Saya Saath Ho Ga&#8217;  and &#8216;Nainon Main Badra Chaaei&#8217;. About Yash Chopra getting Madan Mohan&#8217;s  rejected tracks from the latter&#8217;s son Sanjeev Kohli library and Lata singing  &#8216;Tere Liye&#8217;, &#8216;Aisa Dais Hei Mera&#8217; (with Udit Narayan, Gurdas Mann &amp; Pritha  Majumdar), &#8216;Yei Hum Aa Gaeye Hain Kahan&#8217; (with Udit Narayan), &#8216;Do Pal&#8217; and  &#8216;Kyun Hawa&#8217; (with Sonu Nigum), &#8216;Hum Tau Bhai Jaise Hain&#8217;, Tum Paas Aa Rahe Ho&#8217;  (with Jagjit Singh) and &#8216;Jane Kyun&#8217;, she said about singing for &#8216;Veer-Zaara&#8217;  (2004): &quot;Madan Mohan was like my brother. Yashji&#8217;s like my brother. I felt  I had gone back in time.&quot;<\/p>\n<p>Some of memorable songs by Lata for Madan Mohan are &#8216;Aankhon  Aankhon Mein Un Sei&#8217;, &#8216;Preetam Meri Duniya Main Do Din Tau Rahe Hote&#8217; and  &#8216;Sanwari Soorat Mun Bhai Re Piya Tori Sanwari Soorat Mun Bhai&#8217; from 1951 movie  &#8216;Ada&#8217; with lyrics by Raja Mehdi Ali Khan and Prem Dhawan, &#8216;Ja Ja Re Ja Sajna  Kahe Sapno Mein Aaei Ja Kei Dais Paraye&#8217;, &#8216;Jana Tha Hum Sei Door Bahane Bana  Liye&#8217; and &#8216;Un Ko Yei Shikayat Hei Keh Hum Kutch Nahi Kehte&#8217; from 1958 movie  &#8216;Adalat&#8217; starring Nargis and Pardeep Kumar. Lyrics were penned by Rajinder  Krishen, &#8216;Woh Jo Milte They Kabhi Hum Sei Diwano Ki Tarah\/Aaj Yun Milte Hain  Jaise Kabhi Pehchan Na Thi&#8217; from 1963 movie &#8216;Akeli Mat Jaaiyo&#8217; starring Meena  Kumari and Rajinder Kumar with lyrics by Majrooh Sultanpuri. We have already  mentioned two songs of 1962 movie &#8216;Anparh&#8217; above. The others by Lata are &#8216;Jiya  Lei Gayo Ji Mora Sanwariya&#8217;, &#8216;Woh Daikho Jala Ghar Kisi Ka&#8217; and &#8216;Rang Birangi  Rakhi Lei Kar Aai Behna&#8217;. Lyrics were penned by Raja Mehdi Ali Khan. 1952  Nargis-Raj Kapoor film &#8216;Ashiana&#8217; had six lovely songs by Lata namely &#8216;Main Na  Janu Mere Dil Ko Yei Kaya Ho Gaya&#8217;, &#8216;Mera Qarar Lei Ja Mujhe Beqarar Kar Ja&#8217;,  &#8216;Mere Piya Sei Koi Ja Kei Keh De Jeewan Ka Sahara Teri Yaad Hei&#8217;, &#8216;Mukh Mor Na  Laina Sajna Dil Bechain&#8217;, &#8216;Sama Hei Bahar Ka Lei Lei Maza Pray Ka&#8217; and &#8216;Tum  Chand Kei Saath Chale Aao&#8217; penned by Majrooh Sultanpuri. 1953 Naseem Bano movie  &#8216;Baghi&#8217; had a lovely song &#8216;Baharain Hum Ko Dhoondhain Gi Na Jane Hum Kahan Haun  Gei&#8217; again a Majrooh penned number. A semi-classical number &#8216;Jaa Re Badra Bairi  Ja Ja Ja Re&#8217; penned by Rajinder Krishen was from 1960 movie &#8216;Bahana&#8217;. Another  hit number &#8216;Bairen Neend Na Aaye&#8217; was from Kishore Kumar-Anita Goha 1959 film  &#8216;Chacha Zindabaad&#8217;, penned by Rajinder Krishen. I have mentioned a classical  based song &#8216;Bainyan Na Dharo Balma&#8217; from Rehana Sultan-Sanjeev Kumar 1970 movie  &#8216;Dastak&#8217; already. The other Majrooh penned numbers are &#8216;Hum Hain  Mata-e-Kucha-o-Bazzar Ki Tarah&#8217; and &#8216;Maai Ri Maai Ka Sei Kahun Peer Apni Ji&#8217;.  1970 Raj Kumar-Priya Rajvansh film &#8216;Heer Ranjha&#8217; had two lovely songs by Lata  &#8216;Doli Charhde Heer Nei Bain Kiya Ho&#8217; and &#8216;Do Dil Toote Do Dil Haare&#8217;; the  latter became very popular because of climax in its composition in the antaras.<\/p>\n<p>&nbsp;<\/p>\n<p align=\"left\">&nbsp;<\/p>\n","protected":false},"featured_media":72381,"template":"","language":[],"class_list":["post-72380","articles","type-articles","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/apnaorg.com\/wp\/wp-json\/wp\/v2\/articles\/72380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/apnaorg.com\/wp\/wp-json\/wp\/v2\/articles"}],"about":[{"href":"https:\/\/apnaorg.com\/wp\/wp-json\/wp\/v2\/types\/articles"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apnaorg.com\/wp\/wp-json\/wp\/v2\/media\/72381"}],"wp:attachment":[{"href":"https:\/\/apnaorg.com\/wp\/wp-json\/wp\/v2\/media?parent=72380"}],"wp:term":[{"taxonomy":"language","embeddable":true,"href":"https:\/\/apnaorg.com\/wp\/wp-json\/wp\/v2\/language?post=72380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}