Satya P Gautam
Reading
Amarjit Chandan's Poetry as Philosophy
Amarjit Chandan's poetry can be read as an
articulation as a phenomenology of exile a continuous and constant
concern with the experiential realm of reflections reflections
on situating one's locations, and transitions from those locations of
sojourns and movements of journeys in the realm of imaginary
consciousness journeys through which one moves from one perspective to
another attempting to see things through.
The
spatio-geographical movement or relocation which Chandan
chose, offered him a new environment, a new experiential realm. In this
new environment, Chandan's relation with his linguistic-cultural heritage
no longer remained the same which he had lived in his intense feelings of
being an outsider, an exile (a state of alienation) while living in his
native land the land of his ancestors.
The
dialect which we speak, the words which we hear in our waking moments, the
words which help us identify and differentiate the content of our sensory
experiences, the words by which we classify and categorise the world as
given/presented to us in its primordiality, the words with which we think
and live these words were living in Chandan's memory and imagination
but absent/missing in his everyday life in his new environment. The
discomfort an unease of this strange vanishing of one's language a
silence in which he had to live the suffering of not being able to hear
or/and speak his language as he could, before migrating to UK made
Chandan relate with his language in a novel way living with his
language in memory and imagination through memory and imagination. His
dialect, his speech, his mother tongue which had vanished from the
practical affairs of his daily existence was now always with him in his
memory and imagination, all the time.
Chandan's poetry is an expression of his quest and struggle to articulate
the silence which he experienced in his second exile. Wordlessness a
wordless silence is an experience a feeling (which) can sensitise
us towards two aspects of our embeddedness in language.
The
first kind of wordlessness we feel in and through language, despite
language we feel it because we are creatures and creators of language.
The words are with us, around us, surrounding us,
words connected/linked/related with one another in their significative/signifying
relationships, connected so intricately/mysteriously, entangled with one
another in a seemingly convoluted manner that we finds ourselves
helpless incapable of articulating our experiences we have to struggle
to communicate the sense that we make of the world, of our life we find
it difficult to share with others what we find full of meaning or /and
value for us. Despite the words, we find ourselves speechless, wordless.
Silence engulfs us. We suddenly find ourselves wordless. We have to find
ways of recovering our language, reinventing it, rediscovering it.
The
intensity of the experience of the second kind of wordlessness is
radically different from the first kind of wordlessness. Though it
is rooted in, and related to our experience and acknowledgement of the
limits of language which we experience through first kind of wordlessness
mentioned above, it dawns on us only in our endeavour to go beyond
language, transcend the language in which we remain immersed while
living our everyday life routine activities and experiences. This
engagement with the limits of language looking beyond the beginning and
the end searching the sources of the synch/connections between words,
meanings and the world brings us to an encounter with the infinite, the
unbounded, the limitless, the mysterious where the ultimate is present
with us, before us, but in its silence, and in our silence here we are
with silence, in silence, witnessing a silent dialogue between sense and
senselessness, between life and death, between value and worthlessness,
between hope and despair.
Having
experienced this silence, we return to language, in language. Having seen
the richness and poverty of the constitutive relationship between
language, our lived experiences of the world - and the world which is
presented to us in and through language always remains beyond language.
We keep on making efforts to capture this elusive, but not illusory,
world.
Poetry
helps us in our struggle to capture the wonders and mysteries of this
elusive world, and makes us hope that our struggle is not futile. In this
struggle, our relation with our first language is primordial and unique,
constitutive and and foundational. Perhaps, we need some aloofness and
distance (perhaps sometimes by quirk of chance, but sometimes by choice
and cultivation) from the state of immersion in our language to appreciate
the richness of this relationship at a reflective level. This reflective
stance has found an articulation either through poetry or
through philosophy. But the best moment is the moment when poetry and
philosophy become one. This unity is the achievement of Chandan's poetry.
�
March 2009
Satya P Gautam,
Professor of Philosophy, is Vice-Chancellor of Mahatma Jyotiba Phule
Rohilkhand University Bareilly, India.
http://amarjitchandan.tripod.com